Meredith Davern
Petry Analysis
Shifting from weather to woman in “The Street”, Ann Petry utilizes human personification, immense detail, and bleak imagery to give the wind character and “discourage” Lutie from remaining on “The Street”.
The life like personification of nature draws Lutie off of the street, and into the safety of a new home. The wind “drove most of the people off the street” and tries to “discourage” Lutie from remaining outside. “Fingering its way” through buildings and being physically violent; “the wind grabbed their hats…stuck like fingers inside their coat collars”. The wind makes its subject feel uncomfortable, and “naked”. The wind “twisting the sign” at first away from Lutie, but then the wind “held it still”, but only for a moment so that she could read the sign. Realizing her search was over, Lutie found her apartment, and a new warm home.
The use of great detail shows the winds true intrusiveness and power over the story. “The wind lifted Lutie Johnson’s hair away from the back of her neck…she felt suddenly naked, and bald, for her hair had been resting softly and warmly against her skin.” The wind did just blow past her, but the detail helps to create the winds character. Describing such exact details like feeling “naked” alludes to an uncomfortable feeling out on “The Street”. The exact time of year and street “November wind blowing through 116th street” helps the reader to feel the “rush” of the cold fall wind. The precise use of adjective lends a hand to the feel of the wind not just blowing past people, but violating them. The wind “rattled”, “fingered”, “pushed”, and “grabbed” at pedestrians. The detail makes the windy day seem like an attack. The details truly encourage Lutie to find a warm place to be.
Imagery throughout “The Street” creates a melancholy tone, and really gives the reader the true feel of being there. The detail throughout the passage also helps to create an image. The image of a cold “November” day comes to mind as the wind “rattles the tops of trashcans, sucked window shades out through the top of opened windows and set them back against the windows.” Not only the images come to life, but so do the sounds. Someone reading would only be able to image a cold autumn day with “violent” wind causing trashcans to rattle and shades to whack against buildings. The image of leaves and scraps of paper “heavy waxed paper that loaves of bread had been wrapped in, the thinner waxed paper that had enclosed sandwiches, old envelopes, newspapers”, and “hats” rolling along the sidewalk. All the imagery shows how uncomfortable and “naked” Lutie felt searching for a new home. “The Street” is portrayed as a “violent”
“The Street” is a tough force to recon with. The wind’s “violent assault” helps to “discourage” Lutie, but the hope of a new home keeps her going. Realistic imagery paints the picture of an unforgiving wind on a cold November day. The use of great detail shows the winds perseverance and determination. The personification makes the wind into a character instead of just a force of nature. All elements are trying to get Lutie off of the “The Street”, and into the safe haven of a new home.